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Composing under the skin

the music-making body at the composer s desk 

Auteur: Paul Craenen

Engels - eBook (PDF)

288 pagina's  |  Universitaire Pers Leuven   |  april 2017

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A revealing study of the physical presence of the musician in musical performance. Fingers slipping over guitar strings, the tap of a bow against the body of a cello, a pianist humming along to the music: contemporary composers often work with parasitic, non-conventional sounds such as these. Are they to be perceived as musical elements or do they shift attention to the physical effort of music-making, contact between a body and an instrument? Composer Paul Craenen explores ways in which the musician's body is revealed in musical performance. He leads us from Cage, Lachenmann, Kagel and their contemporaries to a discussion of how today's generation of young composers is writing a body paradigm into composition itself. Micro-temporal physical gestures and instrumental timbre provide the key to unveiling the physical presence of both a musician and a 'composing body'. The author's concept of 'intercorporeality', along with the idea of an alternating linear and non-linear relationship of the composing body to time, casts new light on the relationship between musicians, composers, and music consumers.

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DETAILS

Auteur(s)Paul Craenen
Soort boek eBook, 288 pagina's
Bestandstype PDF
Uitgever Universitaire Pers Leuven  , Verschijningsjaar: 2017
ISBN-13 9789461661531
ISBN-10 9461661533
Taal Engels

JE VINDT DIT BOEK IN:

Categorieën Kunst & cultuur  >  Muziek
Kunst & cultuur  >  Muziek
Serie Orpheus Institute Series
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